John Waters: Pope of Trash - John Waters u.a.
Verfasst: Di 16. Jan 2024, 16:36
John Waters: Pope of Trash
von John Waters (Herausgeber), Jenny He (Herausgeber), Dara Jaffe (Herausgeber), Jacqueline Stewart (Vorwort), Jeanine Basinger (Mitwirkende), B. Ruby Rich (Mitwirkende), David Simon (Mitwirkende), Barry Jenkins, Bruce LaBruce, Christine Vachon, Cindy Sherman, Debbie Harry, Edgar Wright, Iggy Pop, Johnny Knoxville, Kathleen Turner, Orville Peck, Ricki Lake, Sean Baker
Verlag: DelMonico Books
Hardcover, 256 Seiten
Sprache: Englisch
Erstveröffentlichung: Oktober 2023
Inhalt:
Irreverent, heartfelt, shocking and laugh-out-loud funny―a colorful celebration of the work of subversive auteur John Waters
Known for pushing the boundaries of good taste, John Waters (born 1946) has created a canon of high-shock-value, high-entertainment movies that have cemented his position as one of the most revered and subversive auteurs in American independent cinema. Featuring misfit muses, tributes to his hometown of Baltimore and themes of fetish, obsession and celebrity culture, his renegade films―including Pink Flamingos (1972), Female Trouble (1974), Desperate Living (1977), Hairspray (1988), Serial Mom (1994) and A Dirty Shame (2004)―are irreverent, laugh-out-loud comedies that lovingly draw inspiration from William Castle, Herschell Gordon Lewis, Russ Meyer, Andy Warhol and Pier Paolo Pasolini alike. John Waters: Pope of Trash accompanies a landmark exhibition at the Academy Museum of Motion Pictures, the first dedicated solely to Waters’ films. The book presents costumes, props, handwritten scripts, concept drawings, correspondence, promotional gimmicks, production photography and other original materials from all of the filmmaker’s features and shorts. Spotlighting many of his longtime collaborators, it also features a new interview with Waters and texts by curators Jenny He and Dara Jaffe, film historian Jeanine Basinger, film critic and cultural theorist B. Ruby Rich, and author-writer-producer David Simon that explore how Waters’ movies have redefined the possibilities of independent cinema. (quelle: DelMonico Verlag)
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von John Waters (Herausgeber), Jenny He (Herausgeber), Dara Jaffe (Herausgeber), Jacqueline Stewart (Vorwort), Jeanine Basinger (Mitwirkende), B. Ruby Rich (Mitwirkende), David Simon (Mitwirkende), Barry Jenkins, Bruce LaBruce, Christine Vachon, Cindy Sherman, Debbie Harry, Edgar Wright, Iggy Pop, Johnny Knoxville, Kathleen Turner, Orville Peck, Ricki Lake, Sean Baker
Verlag: DelMonico Books
Hardcover, 256 Seiten
Sprache: Englisch
Erstveröffentlichung: Oktober 2023
Inhalt:
Irreverent, heartfelt, shocking and laugh-out-loud funny―a colorful celebration of the work of subversive auteur John Waters
Known for pushing the boundaries of good taste, John Waters (born 1946) has created a canon of high-shock-value, high-entertainment movies that have cemented his position as one of the most revered and subversive auteurs in American independent cinema. Featuring misfit muses, tributes to his hometown of Baltimore and themes of fetish, obsession and celebrity culture, his renegade films―including Pink Flamingos (1972), Female Trouble (1974), Desperate Living (1977), Hairspray (1988), Serial Mom (1994) and A Dirty Shame (2004)―are irreverent, laugh-out-loud comedies that lovingly draw inspiration from William Castle, Herschell Gordon Lewis, Russ Meyer, Andy Warhol and Pier Paolo Pasolini alike. John Waters: Pope of Trash accompanies a landmark exhibition at the Academy Museum of Motion Pictures, the first dedicated solely to Waters’ films. The book presents costumes, props, handwritten scripts, concept drawings, correspondence, promotional gimmicks, production photography and other original materials from all of the filmmaker’s features and shorts. Spotlighting many of his longtime collaborators, it also features a new interview with Waters and texts by curators Jenny He and Dara Jaffe, film historian Jeanine Basinger, film critic and cultural theorist B. Ruby Rich, and author-writer-producer David Simon that explore how Waters’ movies have redefined the possibilities of independent cinema. (quelle: DelMonico Verlag)